
Korean Traditional · 1980s · Korean
Production
handmade
Material
silk
Culture
Korean
Influences
traditional Korean hanbok construction
This Korean hanbok ensemble features the traditional two-piece construction of jeogori (jacket) and chima (skirt). The white silk jeogori has a fitted bodice with narrow sleeves and appears to tie with burgundy ribbon at the chest. The voluminous white chima extends from a high empire waistline to floor length, creating the characteristic bell-shaped silhouette. The garment demonstrates traditional Korean tailoring techniques with clean lines and minimal ornamentation. The high contrast burgundy sash provides the primary color accent against the pristine white silk. The construction emphasizes the flowing, graceful movement typical of hanbok design while maintaining the formal dignity appropriate for ceremonial occasions.


These two pieces reveal how Korean hanbok construction travels through time while adapting to different contexts. The 1920s purple vest borrows the hanbok's signature curved seam lines and silk-on-silk layering principle, but compresses the traditional jeogori jacket into a fitted Western-style vest that could slip under a flapper dress.
Follow this garment wherever the graph leads
These two pieces reveal how Korean hanbok construction travels through time while adapting to different contexts. The 1920s purple vest borrows the hanbok's signature curved seam lines and silk-on-silk layering principle, but compresses the traditional jeogori jacket into a fitted Western-style vest that could slip under a flapper dress.
The pale green jeogori's bold color-blocking—those confident stripes of pink and blue against the mint ground—reads like Korean hanbok filtered through 1930s jazz-age sensibilities, while the pristine white hanbok below maintains the classical purity of traditional court dress.
The cream cotton undergarment and the white silk hanbok reveal how Korean dress navigated the collision between tradition and modernity in the early 20th century. That plain cotton foundation piece—with its practical ties and minimal construction—supported the elaborate ritual of dressing in the full hanbok, much like the complex understructures that held up Western fashion's most formal moments.
These two garments reveal how hanbok's essential geometry—that distinctive high-waisted silhouette with voluminous skirt gathered under the bust—translates across both centuries and continents. The cream cotton undergarment from the 1920s strips the form down to its architectural bones: those deep, purposeful pleats that create the hanbok's signature bell shape, rendered here in practical Western cotton rather than silk.


The pale green jeogori's bold color-blocking—those confident stripes of pink and blue against the mint ground—reads like Korean hanbok filtered through 1930s jazz-age sensibilities, while the pristine white hanbok below maintains the classical purity of traditional court dress.