
Roaring Twenties / Art Deco · 1920s · Korean
Production
handmade
Material
cotton
Culture
Korean
Influences
traditional Korean hanbok construction
This Korean hanbok petticoat (sokchima) displays the characteristic wide, gathered silhouette essential to traditional Korean women's dress. The cream-colored cotton fabric shows natural aging and creasing patterns typical of well-used undergarments. The construction features a fitted waistband with extensive gathering that creates the bell-shaped volume necessary to support the outer hanbok skirt (chima). The fabric appears to be a plain weave cotton of medium weight, practical for daily wear. The garment extends to approximately knee length when laid flat, though it would create a fuller silhouette when worn. Multiple vertical creases indicate the gathered construction method, where fabric panels are pleated into the waistband to achieve maximum circumference while maintaining a smooth waist fit.
These two hanbok undergarments reveal how Korean traditional dress maintained its essential geometry even as it adapted to modern life. The 1920s petticoat, with its wide-legged silhouette and practical cotton construction, shows how hanbok's foundational shapes persisted beneath Western-influenced outer layers during the colonial period.


These two hanbok undergarments reveal how Korean traditional dress maintained its essential geometry even as it adapted to modern life. The 1920s petticoat, with its wide-legged silhouette and practical cotton construction, shows how hanbok's foundational shapes persisted beneath Western-influenced outer layers during the colonial period.


Follow this garment wherever the graph leads
These two pieces reveal how hanbok's essential geometry—that distinctive gathered waistline and voluminous silhouette—remained constant even as Korea navigated between tradition and modernity in the early 20th century.
These two pieces reveal how hanbok's architectural logic persisted even as Korea modernized in the early 20th century. The petticoat's voluminous, geometric pleating echoes the same structural principles as the vest's clean-lined panels and traditional button closure—both built on hanbok's foundational idea that fabric should move around the body rather than cling to it.
These two pieces reveal how Korean hanbok construction persisted even as the garment adapted to modern life across decades. The cream cotton petticoat from the 1920s shows hanbok's essential DNA — that distinctive gathered, voluminous silhouette at the waist — translated into Western-influenced undergarments, while the terracotta silk jeogori maintains the traditional jacket's clean lines and tie closure that have remained unchanged for centuries.
These two pieces reveal how hanbok's essential geometry—that distinctive gathered waistline and voluminous silhouette—remained constant even as Korea navigated between tradition and modernity in the early 20th century.