
1970s · 1970s · British
Designer
Kaffe Fassett
Production
handmade
Material
Shetland wool
Culture
British
Movement
Craft Revival Movement · Hippie / Counterculture
Influences
Fair Isle knitting tradition · 1970s handcraft revival
A triangular knitted poncho featuring intricate Fair Isle-style colorwork in diagonal bands. The piece displays alternating rows of geometric patterns in navy blue, pink, purple, and cream, creating a rhythmic striped effect across the triangular form. Hand-knitted in fine Shetland wool, the garment shows precise tension and even stitching throughout the complex colorwork. The bottom edge is finished with a substantial fringe in matching colors, adding movement and texture. The high neckline creates a cowl-like drape when worn. This represents the era's embrace of handcraft revival and bold pattern mixing within artistic fashion circles.
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Lineage: “1970s craft revival movement”
These two pieces capture Kaffe Fassett at different points in his obsession with Fair Isle geometry—the poncho reveling in the full riot of traditional Shetland patterning with its cascading zigzags and rainbow fringe, while the waistcoat distills that same DNA into something more restrained, almost architectural.
These two pieces capture the 1970s craft revival from opposite ends of the handmade spectrum—one channeling Indonesian batik traditions through that distinctive cracked-wax resist pattern on the tie, the other working Scotland's Fair Isle heritage into a thoroughly countercultural poncho silhouette.
These two pieces reveal how traditional Fair Isle knitting became a global language of pattern-making, each interpreting the Shetland technique through its own cultural lens. The 1970s poncho stays faithful to the Scottish tradition with its diagonal stripes and muted palette, while the 1980s Japanese sweater abstracts Fair Isle's geometric vocabulary into bold triangular motifs and stark black-and-white contrast panels.