
1970s · 1980s · British
Designer
Modzart
Production
mass-produced
Material
printed cotton
Culture
British
Movement
Punk · New Wave
Influences
punk DIY aesthetic · band merchandise tradition
A black cotton t-shirt featuring a large screen-printed portrait of Siouxsie Sioux's face across the front. The image shows her iconic dramatic makeup with heavy black eye makeup, blue eyeshadow, pale complexion, and dark red lipstick. The print uses a high-contrast photographic technique typical of punk and new wave merchandise. The shirt has short sleeves and appears to be a standard unisex cut with a crew neckline. This represents the crossover between punk subculture and mainstream fashion merchandising that characterized early 1980s alternative music scenes.


These two pieces trace punk's evolution from manifesto to merchandise, separated by the distance between a safety pin and a credit card. The frayed denim vest carries forward punk's original DIY ethos—those raw, deliberately destroyed edges echo the ripped fishnets and shredded shirts that Siouxsie Sioux herself wore when the Banshees were tearing through London clubs in '76.


Follow this garment wherever the graph leads
These pieces capture punk's twin impulses toward destruction and reconstruction, separated by geography but united in their refusal to stay quiet. The jeans transform denim's all-American innocence with aggressive cutouts and paint splatters that feel like controlled violence, while the Siouxsie tee broadcasts punk's theatrical defiance through her kohl-rimmed stare and sneering mouth.
These two pieces trace punk's evolution from manifesto to merchandise, separated by the distance between a safety pin and a credit card. The frayed denim vest carries forward punk's original DIY ethos—those raw, deliberately destroyed edges echo the ripped fishnets and shredded shirts that Siouxsie Sioux herself wore when the Banshees were tearing through London clubs in '76.
Lineage: “band merchandise tradition”
These two shirts trace the evolution of subcultural rebellion through screen-printed cotton, but they're moving in opposite directions. The Siouxsie tee captures punk's original shock tactics—that stark, confrontational close-up of her face with its theatrical makeup and bared teeth was designed to unsettle, turning the wearer into a walking manifesto of refusal.
Both shirts weaponize the humble graphic tee as a canvas for rebellion, but they reveal punk's split personality across the Atlantic. The Siouxsie shirt transforms her face into a grotesque mask—that smeared makeup and dead-eyed stare turning beauty into horror through deliberate degradation of the printing process.
The moto jacket's gleaming faux leather and the Siouxsie tee's stark graphic portrait are separated by four decades but united by punk's enduring grammar of rebellion. Where the original movement wielded DIY aggression—that raw screen-printed face with its smeared makeup and defiant stare—today's version speaks in the smoother dialect of mass production, trading homemade menace for accessible edge.