
Empire / Regency · 1810s · American
Production
handmade
Material
silk taffeta
Culture
American
Influences
neoclassical silhouette · military-inspired collar
This Empire period pelisse displays the characteristic high-waisted silhouette with a fitted bodice that extends into a long, full skirt reaching the ankles. The olive-green silk taffeta creates a lustrous surface that catches light subtly. The garment features a standing collar and appears to have a double-breasted front closure with covered buttons. The sleeves are fitted through the arm with slight gathering at the shoulder, typical of the period's neoclassical influence. The coat's construction shows careful tailoring with princess seaming that creates the smooth fit through the torso before releasing into the flowing skirt. This outer garment would have been worn over day dresses for warmth and propriety during the Regency era.
These two coats trace the evolution of masculine tailoring's influence on women's outerwear across seven decades of American fashion. The earlier rococo robe borrows its military-inspired frogging and fitted torso from men's formal coats, while the Empire-era pelisse takes the more radical step of adopting an actual masculine silhouette — those dramatically puffed sleeves and high-waisted, A-line cut mirror the Romantic ideal of the Byron-era dandy.


These two coats trace the evolution of masculine tailoring's influence on women's outerwear across seven decades of American fashion. The earlier rococo robe borrows its military-inspired frogging and fitted torso from men's formal coats, while the Empire-era pelisse takes the more radical step of adopting an actual masculine silhouette — those dramatically puffed sleeves and high-waisted, A-line cut mirror the Romantic ideal of the Byron-era dandy.
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These two olive-toned beauties reveal how American women navigated the seismic shift from Rococo excess to neoclassical restraint. The earlier striped gown, with its tight bodice and theatrical fringe trim cascading around every edge, embodies the 18th century's love affair with surface decoration and body-conscious silhouettes.
These two garments reveal how the Romantic era's obsession with volume played out across different scales and purposes. The floral morning dress channels its drama through gathered sleeves that balloon from shoulder to wrist, creating sculptural bulk that transforms the everyday act of dressing into theater.
These pieces share the Empire period's obsession with military-inspired olive green, a color that signaled both patriotic duty and fashionable restraint during the Napoleonic wars. The pelisse's martial silhouette—with its high waistline and regimental brass buttons marching down the front—finds an echo in the mitts' disciplined gold embroidery, where serpentine vines advance across cream leather with the same measured precision.


These pieces share the Empire period's obsession with military-inspired olive green, a color that signaled both patriotic duty and fashionable restraint during the Napoleonic wars. The pelisse's martial silhouette—with its high waistline and regimental brass buttons marching down the front—finds an echo in the mitts' disciplined gold embroidery, where serpentine vines advance across cream leather with the same measured precision.