
1980s · 1980s · British
Designer
Malcolm McLaren and Vivienne Westwood
Production
ready-to-wear
Material
cotton
Culture
British
Movement
New Romanticism · Punk · Power Dressing
Influences
punk deconstructed aesthetic · theatrical costume elements
This red-orange cotton tunic features an open mesh or net-like knit construction that creates a semi-transparent, perforated surface across the entire garment. The loose, boxy silhouette extends to mid-thigh length with long sleeves that appear slightly gathered at the cuffs. The neckline is a simple crew style. The mesh knit technique creates uniform geometric openings throughout the fabric, giving the piece a punk-influenced aesthetic typical of early 1980s alternative fashion. The construction appears to be machine-knitted rather than hand-crocheted, with consistent tension and regular hole patterns. This type of deconstructed, revealing knitwear was characteristic of the New Romantic movement's theatrical approach to dressing.
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