
2020s · 2010s · Mongolian
Designer
Yushan Li and Jun Zhou, PRONOUNCE
Production
ready-to-wear
Material
hand-knitted wool
Culture
Mongolian
Movement
Gender-fluid fashion · Cottagecore
Influences
traditional Mongolian knitting · contemporary gender-neutral suiting
A complete pink menswear ensemble featuring a relaxed-fit jacket with patch pockets, matching straight-leg trousers, and a hand-knitted wool cap. The jacket has a soft, unstructured silhouette with a notched collar and appears to be made from a medium-weight wool or wool blend fabric. The trousers sit at a natural waist with a straight leg cut. The coordinating knitted cap has a close-fitting beanie style with ribbed texture. The monochromatic pink colorway creates a cohesive, contemporary interpretation of traditional suiting, reflecting the 2010s trend toward gender-fluid fashion and unconventional color palettes in menswear.
These two pieces capture the cottagecore movement's obsession with handcraft authenticity, but from opposite poles of the aesthetic spectrum. The Mongolian ensemble—that soft pink military-inspired jumpsuit paired with its matching knitted cap—channels the movement's pastoral romanticism through structured utility, while the French cardigan goes full hermit-chic with its deliberately unfinished black and cream colorblocking that looks like it was knitted by candlelight in a cave.


These two pieces share the stubborn logic of utility dressed up as style—both the Edwardian overcoat's high, protective collar and the pink Mongolian ensemble's snug cap prioritize warmth while maintaining a studied formality. The century between them dissolves when you notice how each garment hugs the neck like armor against the elements, though one does it with charcoal wool's bourgeois restraint and the other with hand-knitted pink's almost militant cheerfulness.

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These two pieces share the stubborn logic of utility dressed up as style—both the Edwardian overcoat's high, protective collar and the pink Mongolian ensemble's snug cap prioritize warmth while maintaining a studied formality. The century between them dissolves when you notice how each garment hugs the neck like armor against the elements, though one does it with charcoal wool's bourgeois restraint and the other with hand-knitted pink's almost militant cheerfulness.
