
1970s · 1970s · Nigerian
Designer
Shade Thomas-Fahm
Production
artisan-craft
Material
silver lurex
Culture
Nigerian
Movement
Hippie / Counterculture
Influences
traditional Nigerian agbada · 1970s metallic fashion
A floor-length caftan-style dress constructed from silver lurex fabric with a metallic sheen. The garment features a central vertical panel of elaborate geometric embroidery in gold and burgundy threads, creating diamond and angular motifs that run from neckline to hem. The embroidery work shows traditional Nigerian design elements with precise geometric patterning. Three-quarter length sleeves are trimmed with matching embroidered borders. The dress has a simple round neckline and flows straight from shoulders to floor in an A-line silhouette. The lurex base fabric catches light while the contrasting embroidered panel creates a strong vertical focal point, representing the fusion of traditional Nigerian textile arts with 1970s metallic fashion trends.
Follow this garment wherever the graph leads
Both garments pulse with the same 1970s hunger for maximum-impact textiles—the Nigerian caftan's molten silver lurex and the Chinese sari's electric pink artificial silk were exactly the kind of synthetic glamour that made hippie-era dressers feel like they were wearing liquid light. The caftan's geometric embroidery and the sari's intricate woven borders speak the same language of obsessive pattern-making, where every inch must earn its keep through decoration.
Lineage: “1970s metallic fashion”
These two pieces capture the 1970s obsession with metallic shimmer, but from opposite ends of the counterculture spectrum. The black sweater's silver eagle feels like prog rock merchandise—that Germanic gothic lettering and heraldic bird speaking to heavy metal's emerging aesthetic—while the Nigerian caftan deploys its lurex in geometric patterns that echo both traditional African textiles and the era's psychedelic sensibilities.