
1970s · 1960s · British
Designer
Simone Mirman
Production
haute couture
Material
silk velvet
Culture
British
Movement
Hippie / Counterculture
Influences
1920s cloche silhouette
A rounded cloche-style hat with a deep black velvet base completely covered in intricate metallic embroidery. The surface features flowing botanical motifs including stylized flowers, leaves, and curving stems worked in gold and bronze threads. The embroidery creates an all-over pattern with dimensional quality, likely using raised techniques. The hat maintains the classic 1960s rounded silhouette that sits close to the head, typical of Simone Mirman's sophisticated millinery work. The dense metallic threadwork against the dark velvet creates rich textural contrast while the organic motifs soften the geometric hat shape.
The burgundy cloche with its silk peony and curling feathers speaks the same visual language as the black velvet beret's sinuous gold embroidery — both deploy nature's curves as ornament, one fresh and blooming, the other serpentine and mysterious. Fifty years separate them, but they're united by the way decoration flows organically across their surfaces rather than sitting as applied trim.
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The crimson cloche's clean dome and that precise grosgrain ribbon bow carry the geometric discipline of 1920s millinery into the postwar era, while the black velvet Apache hat takes that same rounded silhouette and explodes it with gold embroidered botanicals that seem to crawl across its surface like living vines.
These two British hats speak the same millinery language across four decades, both riffing on the 1920s cloche's sleek dome but with wildly different flourishes. The Depression-era piece explodes with theatrical orange feathers that seem to burst from the black felt like flames, while the '70s Apache hat wraps its rounded crown in intricate gold embroidery that flows like metallic vines across midnight velvet.
These two hats trace the stubborn persistence of the 1920s cloche through very different cultural moments — the first a '90s African American piece dense with silver spirals that catch light like urban jewelry, the second a '70s British revival hat where gold embroidered florals bloom across black velvet like something from a Pre-Raphaelite fever dream.