
1970s · 1960s · British
Designer
Wonder Workshop
Production
ready-to-wear
Material
printed synthetic satin
Culture
British
Movement
Pop Art · Mod · Hippie / Counterculture
Influences
bomber jacket silhouette · Pop Art fruit imagery
A cropped bomber-style jacket featuring a white synthetic satin base with an all-over strawberry print in red and pink tones. The garment has a front zipper closure and ribbed knit cuffs and waistband in white. The sleeves are full and gathered into tight cuffs, creating a blouson effect typical of bomber jacket construction. The jacket hits at the natural waist with a fitted silhouette enhanced by the elasticated bottom band. The strawberry motif consists of realistic fruit illustrations scattered across the fabric surface. The synthetic satin has a smooth, lustrous finish that reflects light. This piece exemplifies the playful, youth-oriented fashion of late 1960s London, combining sportswear influences with novelty prints and space-age synthetic materials.
That Mao t-shirt and strawberry bomber are both children of the same Pop Art revolution, just born decades apart. The '70s bomber takes Warhol's obsession with repetition—those scattered strawberries could be soup cans—and wraps it around the body like wearable wallpaper, while the '90s tee does what Pop always promised: it makes high art democratic, slapping Chairman Mao onto a basic white cotton canvas that anyone can afford.
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These two jackets capture the schizophrenic nature of 1970s fashion, torn between ladylike propriety and youthful rebellion. The black bouclé number with its cream fur collar and cuffs is pure Chanel DNA filtered through the decade's love affair with texture—that nubby wool surface promising respectability even as the cropped length hints at liberation.
These two pieces capture the 1970s counterculture's twin impulses: the black velvet trousers speak to the era's fascination with tactile luxury and androgynous silhouettes, while the strawberry-printed bomber translates military utilitarian shapes through a psychedelic, almost childlike lens. Both reject conventional formality—the trousers through their louche, unstructured drape and the bomber through its playful subversion of masculine codes with feminine fruit motifs and cropped proportions.