
1970s · 1970s · English
Designer
James Drew
Production
ready-to-wear
Material
cotton
Culture
English
Movement
Hippie / Counterculture
Influences
menswear shirting tradition
A precisely tailored women's shirt featuring vertical stripes in sage green and white on cotton fabric. The garment displays classic menswear-inspired construction with a pointed collar, full button front placket, and long sleeves with button cuffs. The fit is distinctly shaped through the torso, creating a feminine silhouette while maintaining the structured elements of traditional shirting. The stripes are evenly spaced and consistent in width, creating a clean geometric pattern. The shirt represents the 1970s trend of adopting and adapting masculine wardrobe staples for women's fashion, with careful attention to fit and proportion that distinguishes it from purely unisex styling.
These two shirts trace the evolution of borrowed-from-the-boys dressing across five decades, but their DNA splits along class lines. The 1970s green striped shirt carries the crisp, almost institutional precision of English shirtmaking—note those knife-sharp creases and the way the stripes align perfectly at the seams, suggesting serious tailoring beneath its casual surface.


These two shirts trace the evolution of borrowed-from-the-boys dressing across five decades, but their DNA splits along class lines. The 1970s green striped shirt carries the crisp, almost institutional precision of English shirtmaking—note those knife-sharp creases and the way the stripes align perfectly at the seams, suggesting serious tailoring beneath its casual surface.


Follow this garment wherever the graph leads
These two shirts trace the long arc of how menswear's most fundamental garment migrated into women's wardrobes, then evolved into something entirely its own. The 1970s green-striped shirt still clings to masculine proportions and that crisp, almost institutional precision of traditional shirting, while the 1990s chambray has been softened and feminized—notice how the collar sits smaller, the fit more fitted through the torso.
These shirts reveal how the 1970s counterculture aesthetic transcended borders through a shared grammar of gentle rebellion. The English shirt's soft sage stripes and the Italian's burgundy pinstripes both deploy the same visual trick—vertical lines that suggest formality while their relaxed proportions and muted, earthy palettes whisper anti-establishment.
These two shirts trace the long arc of how menswear's most fundamental garment migrated into women's wardrobes, then evolved into something entirely its own. The 1970s green-striped shirt still clings to masculine proportions and that crisp, almost institutional precision of traditional shirting, while the 1990s chambray has been softened and feminized—notice how the collar sits smaller, the fit more fitted through the torso.