
1970s · 1970s · British
Production
handmade
Material
red leather cord
Culture
British
Movement
Hippie Movement · Hippie / Counterculture
Influences
Native American beadwork · African trade bead traditions
A long pendant necklace featuring a thin red leather cord strung with mixed beads and materials. The composition includes small dark wooden or plastic beads interspersed along the cord, culminating in a large black spherical bead and what appears to be a natural stone or shell pendant at the bottom. The asymmetrical arrangement and combination of natural and synthetic materials reflects the counterculture movement's embrace of handcrafted, eclectic jewelry that mixed traditional craft techniques with readily available materials. The long length suggests it would hang well below the neckline when worn.
Both pieces pulse with the same restless energy that sent Western youth searching for authenticity in far-flung places during the 1970s. The necklace's raw leather cord and eclectic bead mix—that chunky black sphere paired with smaller ethnic-looking elements—captures the same magpie aesthetic as the Afghan vest's riot of coral embroidery threading across honey-colored goatskin and woolly fleece trim.
Lineage: “African trade bead traditions”
That coiled wooden disc from the Pokot peoples, with its hypnotic spiral of tiny carved segments strung tight on leather, carries the DNA of a beadmaking tradition that would resurface in 1970s Britain as something looser and more improvised.
Lineage: “Native American beadwork”
That champagne pearl bracelet, with its tight coil of uniform faux pearls, speaks the language of wartime restraint—precious materials replaced by clever plastic mimicry in a format that's all about controlled abundance.


That coiled wooden disc from the Pokot peoples, with its hypnotic spiral of tiny carved segments strung tight on leather, carries the DNA of a beadmaking tradition that would resurface in 1970s Britain as something looser and more improvised.


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