
1980s · 1980s · French
Production
one-of-a-kind
Material
plastic with diamanté embellishment
Culture
French
Movement
Glam Rock · Power Dressing
Influences
1970s disco glamour · theatrical costume design
Oversized novelty eyeglasses featuring thick champagne-colored plastic frames with an exaggerated rectangular silhouette. The upper frame section extends into a decorative rectangular panel embellished with multiple rows of clear diamanté crystals in geometric linear patterns. The frames appear to be non-prescription with clear lenses and demonstrate the theatrical, maximalist aesthetic of late 1970s disco fashion. The construction shows precision-set rhinestones creating structured geometric borders around the extended frame design. These performance eyewear pieces exemplify the era's embrace of glamorous excess and theatrical personal accessories.
These two pieces speak the same glittery language of disco excess, just translated across four decades and completely different canvases. The 1980s spectacles turn eyewear into jewelry with their champagne frames studded with rhinestones along the brow line, while the contemporary sleeveless top maps that same sparkle-as-structure philosophy onto the body with metallic beadwork tracing the neckline, armholes, and hem.
Both pieces pulse with the same fever dream of Studio 54 excess — that particular brand of champagne-colored glamour that mistakes more for better. The gown's molten gold sequins catch light exactly like the diamanté studs marching across those ridiculous plastic frames, both committed to the idea that sparkle should announce your arrival from three blocks away.
These two pieces capture the '80s obsession with turning everyday accessories into armor through sheer sparkle overload. The champagne plastic glasses transform vision correction into a diamanté crown, while the geometric collar necklace creates a breastplate of black and crystal rhinestones — both weaponizing glamour in that distinctly '80s way where subtlety was the enemy.
These two pieces capture the theatrical excess that bridged glam rock's silver-suited seventies into the diamond-dusted eighties, when performance dressing spilled from concert stages into everyday life. The boots' mirror-bright leather and chunky platform sole echo the spectacles' champagne shimmer and crystal-studded frame—both demanding attention through pure reflective power rather than subtle craft.


These two pieces speak the same glittery language of disco excess, just translated across four decades and completely different canvases. The 1980s spectacles turn eyewear into jewelry with their champagne frames studded with rhinestones along the brow line, while the contemporary sleeveless top maps that same sparkle-as-structure philosophy onto the body with metallic beadwork tracing the neckline, armholes, and hem.


Follow this garment wherever the graph leads
Both pieces pulse with the same fever dream of Studio 54 excess — that particular brand of champagne-colored glamour that mistakes more for better. The gown's molten gold sequins catch light exactly like the diamanté studs marching across those ridiculous plastic frames, both committed to the idea that sparkle should announce your arrival from three blocks away.