
1970s · 1970s · Italian
Designer
Biba
Production
ready-to-wear
Material
satin
Culture
Italian
Movement
Glam Rock · Disco
Influences
1970s platform shoe trend · Art Deco geometric patterns
High platform sandals featuring a navy blue satin upper with ankle strap and silver buckle closure. The most striking element is the chunky block heel and platform sole, decorated with geometric chevron patterns in sequins and diamanté. The embellishment creates a zigzag design in alternating silver, turquoise, and darker tones across the heel and platform base. The substantial platform measures approximately 2 inches, with the heel adding significant height. The construction reflects 1970s glam rock aesthetics with its bold geometric patterning and luxurious mixed materials combining textile and metallic elements.
These two platforms capture the split personality of '70s glam—one channeling rock star rebellion with its white leather astronaut boot swagger and metallic detailing, the other embracing disco sophistication through navy satin and that mesmerizing zigzag sequined heel that catches light like a mirror ball. Both tower at the same vertiginous height, but where the boots suggest David Bowie strutting across a stage, the sandals whisper Studio 54 after midnight.
These two pieces speak the same geometric language, separated by a decade but united in their devotion to Art Deco's zigzag gospel. The platform sandal's heel catches light through bands of turquoise and silver sequins that march in precise chevrons, while the chandelier earrings cascade in black and crystal chevrons that could have been lifted from the same 1920s pattern book.
The zigzag sequins climbing up that 1970s platform heel echo the same geometric restlessness that animates the kimono's tessellated carriage wheels—both garments drunk on Art Deco's angular intoxication. What's fascinating is how the same decorative DNA expresses itself: the shoe compresses that geometric energy into a towering vertical statement, while the kimono lets it breathe across silk in an all-over pattern that turns the body into a moving mosaic.
Both pieces pulse with disco's obsession with light-catching surfaces—the gown's mint beadwork and the sandal's chevron-sequined platform heel turn movement into shimmer. The 1970s demanded that evening wear perform under strobe lights, and these pieces deliver with different strategies: the American gown uses all-over beading to create a liquid mercury effect, while the Italian sandal concentrates its sparkle on that towering platform, turning every step into a flash of refracted light.


The zigzag sequins climbing up that 1970s platform heel echo the same geometric restlessness that animates the kimono's tessellated carriage wheels—both garments drunk on Art Deco's angular intoxication. What's fascinating is how the same decorative DNA expresses itself: the shoe compresses that geometric energy into a towering vertical statement, while the kimono lets it breathe across silk in an all-over pattern that turns the body into a moving mosaic.


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